Final Cut Pro X Weekly

2017-2019
10:51 hours

Weekly Tips
Why the Range tool should be your favorite and why to use it more
It’s all about the color board
5 things you should know about Motion 5
The ultimate short guide to mastering speed effects
3 things you should use Compressor for right now
5 keyboard shortcuts you should know in FCPX
Uploading videos to the web
AE workflows
Cool things about the Info panel
5 tricks for dealing with the inventible stills montage
Animation in a hurry: Have no fear, custom text is here
The least you need to know about After Effects
Video roles in FCP X
Three Timeline tricks
Split edits to elevate your storytelling
Color Finale for traditional color correction
Tricks for managing titles
Perfect slow-mo with HFR
The power of generators
Portable proxies
LUTs and you
Free Apple sound libraries
Getting more from the Ken Burns moves
Storyboards
Three things about 3D text
Playhead and skimmer management
360VR in Final Cut Pro, part 1
360VR in Final Cut Pro, part 2
Keyframing best secret: Solo animation
3D text in Motion
Smart collections
Transitions
Frame.io
RED workflow
Timelapses, part 1
Timelapses, part 2
Setting up a stronger Color Workspace
Shortcuts for faster color correction in FCPX 10.4
The Power of Overshoot
Better LUT Workflows
Eyedroppers in Curves
Clip Filtering in the Browser
Animation Headache Avoided
SpeedScriber
A Solution for Charts
Speeding Up Basic Transforms
Common Transform Libraries
Viewing Smarter in the Browser
TImeline Display Options
10 keys we wished more FCP X editors used: Part 1
10 keys we wished more FCP X editors used: Part 2
3 things to know for working with 360 in FCP X
360° Patch
Finishing the job: Archiving best practices
Using auditions with color correction
Using a color chart
Using Motion color looks in FCP X
Using the Finder for easy organization
Flow transition: Hiding jump cuts
Using Palette Gear with FCP X
The ultimate reframe: 360 in everyday projects
Snapshots: – Better than duplicates
Closed captions
Which ProRes is right for you?
FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star
Dual displays: Maximize your layouts
Creating custom clip names in FCP X
Creating a channel blur in Motion for FCP X
Tweaking flesh tones
Text design tips for video editors
Saving useful effect presets in FCP X
Audio compression
Creating great lens flares with mFlare 2
Voice EQ: Making everyone sound better
Smarter effects workflows
The edits not taken
MacBook Pro: 2014 vs. 2018
Using cameras and formats
OS X Finder search secret
USB-C, T3, and you
Nodes 2: Incredible motion graphics right inside of FCPX
Three things to know about taking the dive into FCPX
CommandPost
Three great OS X utilities
Build a custom Final Cut Pro custom template in five steps
Three hidden compressor tweaks
Make safe OS X media copies
Don’t hit the panic button: Troubleshooting Final Cut Pro X problems, part 1 [no subs]